List Terms List #4

Interior Monologue: a form of writing which represents the inner thoughts of a character; the recording of the internal, emotional experience(s) of an individual; generally the reader is given the impression of overhearing the interior monologue.

Inversion: words out of order for emphasis.

Juxtaposition: the intentional placement of a word, phrase, sentences of paragraph to contrast with another nearby.

Lyric: a poem having musical form and quality; a short outburst of the author’s innermost thoughts and feelings.

Magic(al) Realism:  a genre developed in Latin America which juxtaposes the everyday  with the marvelous or magical.

Metaphor(extended, controlling, and mixed): an analogy that compare two different

things imaginatively.

Extended: a metaphor that is extended or developed as far as the writer

wants to take it.

Controlling: a metaphor that runs throughout the piece of work.

Mixed: a metaphor that ineffectively blends two or more analogies.

Metonymy:  literally “name changing” a device of figurative language in which the name of an attribute or associated thing is substituted for the usual name of a thing.

Mode of Discourse:  argument (persuasion), narration, description, and exposition.

Modernism:  literary movement characterized by stylistic experimentation, rejection of tradition, interest in symbolism and psychology

Monologue:  an extended speech by a character in a play, short story, novel, or narrative poem.

Mood:  the predominating atmosphere evoked by a literary piece.

Motif:  a recurring feature (name, image, or phrase) in a piece of literature.

Myth:  a story, often about immortals, and sometimes connected with religious rituals, that attempts to give meaning to the mysteries of the world.

Narrative:  a story or description of events.

Narrator:  one who narrates, or tells, a story.

Naturalism: extreme form of realism.

Novelette/Novella: short story; short prose narrative, often satirical.

Omniscient Point of View:  knowing all things, usually the third person.

Onomatopoeia: use of a word whose sound in some degree imitates or suggests its

meaning.

Oxymoron: a figure of speech in which two contradicting words or phrases are combined to produce a rhetorical effect by means of a concise paradox.

Pacing:  rate of movement; tempo.

Parable:  a story designed to convey some religious principle, moral lesson, or general truth.

Paradox:  a statement apparently self-contradictory or absurd but really containing a possible truth; an opinion contrary to generally accepted ideas.

Lit Terms List #3

Exposition: beginning of a story that sets forth facts, ideas, and/or characters, in a detailed explanation.

 Expressionism: movement in art, literature, and music consisting of unrealistic  representation of an inner idea or feeling(s).

 Fable: a short, simple story, usually with animals as characters, designed to teach a moral truth.

 Fallacy: from Latin word “to deceive”, a false or misleading notion, belief, or argument; any kind of erroneous reasoning that makes arguments unsound.

 Falling Action: part of the narrative or drama after the climax.

 Farce: a boisterous comedy involving ludicrous action and dialogue.

 Figurative Language: apt and imaginative language characterized by figures of speech (such as metaphor and simile).

 Flashback: a narrative device that flashes back to prior events.

 Foil: a person or thing that, by contrast, makes another seem better or more prominent.

 

Folk Tale: story passed on by word of mouth.

 Foreshadowing: in fiction and drama, a device to prepare the reader for the outcome of the action; “planning” to make the outcome convincing, though not to give it away.

 Free Verse: verse without conventional metrical pattern, with irregular pattern or no rhyme.

 Genre: a category or class of artistic endeavor having a particular form, technique, or content.

 Gothic Tale: a style in literature characterized by gloomy settings, violent or grotesque action, and a mood of decay, degeneration, and decadence.

 Hyperbole: an exaggerated statement often used as a figure of speech or to prove a point.

 Imagery: figures of speech or vivid description, conveying images through any of the senses.

 Implication: a meaning or understanding that is to be arrive at by the reader but that is not fully and explicitly stated by the author.

 Incongruity: the deliberate joining of opposites or of elements that are not appropriate to each other.

 Inference: a judgement or conclusion based on evidence presented; the forming of an opinion which possesses some degree of probability according to facts already available.

 Irony: a contrast or incongruity between what is said and what is meant, or what is expected to happen and what actually happens, or what is thought to be happening and what is actually happening.

Lit terms list #2

Circumlocution: a roundabout or evasive speech or writing, in which many words are used but a few would have served

Classicism: art, literature, and music reflecting the principles of ancient Greece and Rome: tradition, reason, clarity, order, and balance

Cliché: a phrase or situation overused within society

Climax: the decisive point in a narrative or drama; the pint of greatest intensity or interest at which plot question is answered or resolved

Colloquialism: folksy speech, slang words or phrases usually used in informal conversation

Comedy: originally a nondramatic literary piece of work that was marked by a happy ending; now a term to describe a ludicrous, farcical, or amusing event designed provide enjoyment or produce smiles and laughter

Conflict: struggle or problem in a story causing tension

Connotation: implicit meaning, going beyond dictionary definition

Contrast: a rhetorical device by which one element (idea or object) is thrown into opposition to another for the sake of emphasis or clarity

Denotation: plain dictionary definition

Denouement (pronounced day-new-mahn): loose ends tied up in a story after the climax, closure, conclusion

Dialect: the language of a particular district, class or group of persons; the sounds, grammar, and diction employed by people distinguished from others.

Dialectics: formal debates usually over the nature of truth.

Dichotomy: split or break between two opposing things.

Diction: the style of speaking or writing as reflected in the choice and use of words.

Didactic: having to do with the transmission of information; education.

Dogmatic: rigid in beliefs and principles.

Elegy: a mournful, melancholy poem, especially a funeral song or lament for the dead, sometimes contains general reflections on death, often with a rural or pastoral setting.

Epic: a long narrative poem unified by a hero who reflects the customs, mores, and aspirations of his nation of race as he makes his way through legendary and historic exploits, usually over a long period of time (definition bordering on circumlocution).

Epigram: witty aphorism.

Fun fact.

When Dickens wrote, his neighbors frequently called the cops. 

Great expectations notes

Pip transforms throughout story from boy to man. 

Pips an orphan so he imagines family because he didn't have his own. Has a very strong sense of being unwanted. 

Believes that family and marriage isn't enough for him but also isn't sure of himself. 

Fills fatherless void by adopting make characters as father figures and mirroring them. 

Magwitch- meets at church and is a prisoner. Acts like an animal and seems to be a selfish brutality about him. A potential for violence. Represents a fear of abandonment for Pip but pip also sees a version of himself

Havesham- witch like figure. Seems like a fairy god mother to Pip but is a symbol of horrible decay. Her house is stuck in a moment of time, hasn't touched anything since she was left at alter 

Begger your neighbor. 

Astella is Ms. Haveshams revenge. Pip falls in love with Astella. 

Characters remind pip of his own inadequacy. 

Siddhartha

1. Siddhartha features substantial activity and narrative action. At the same time, it is about one man’s largely internal spiritual quest. What is the relationship between the internal and exterior worlds of Siddhartha? How does Siddhartha negotiate these worlds?

2. Herman Hesse’s novels before Siddhartha focused on alienated young men who rejected the cultures of their upbringings. However, these other novels did not feature the spiritual elements of Siddhartha. How do the spiritual elements of Siddhartha make it different from any other story of an alienated youth?

3. Most literary scholars agree that Siddhartha was prompted by Herman Hesse’s fixation on Eastern spirituality. Is there a case to be made that Siddhartha is designed to celebrate Eastern religion? Is Hesse’s treatment of spirituality as relevant today as it was when he wrote the novel?

4. Siddhartha concerns the quest for spiritual enlightenment, and by the end of it four characters have achieved this goal: Govinda, Gotama, Vasudeva, and Siddhartha. Is the enlightenment achieved by each of these characters the same? Why or why not? What distinctions and similarities exist between the paths these characters use to reach their final goal?

5. Consider Siddhartha’s relationship with Govinda. How are they similar, and how are they different? What are the narrative functions of Govinda’s reappearance throughout the novel? How does their relationship impact the novel’s ending?

These questions tell me that the test is in depth and covers a wide range of topics and concepts.  

Siddhartha Notes

Finding himself, what he wants to do and where he wants to go

Brahamin is the highest social class in India so it shows how hard it was to leave family and identity behind. 

Central Message: discovering yourself on the way to your destination 

Tone: sorrow, yearning, self discovery

Beginning: self pity. End: panic/realization